The movie starts as a quasi-documentary film, with images portraying the destructive technological nad industrial progress, showing frames of smoking chimneys, crowded urban agglomerations and traffic concourses which facilitate the destruction process.
The journey through urban and industrial passages following the video camera brings us to a place which is gradualny subjected to destruction, somewhere in the periphery of the progress. This is a place where the main character of the movie, a woman of unusual sensitivity and empathy for the surrounding world, happens to subsist.
Living in this desolate place, which used to bustle with life, she is now trying to measure the time of her life with a little spoon, separating herself from the emptiness that comes with the progress, devouring her decadent reality.
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